On a recent visit to Nevada, Erika Balsom discovered how the artist’s monumental sculpture is a meditation on transience

On the occasion of her show at the Guggenheim Museum, the artist discusses how shifts in scale and juxtaposition reflect an experience of time

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

Against a growing digital landscape, cinema magazines dedicated to print are on the rise

Short films at the 48th International Film Festival Rotterdam give primacy to music and voice

‘This is, perhaps, the best ending of any film, ever’

The radical filmmaker, teacher and writer talks essentialism in identity politics and why her films are neither documentary nor fiction

This year’s exhibition recruits the powers of documentary to reflect on what draws us together and holds us apart

A genre more associated with painting, an interest in the environment grounds a number of recent artists’ films 

The New York-based filmmaker has been questioning the politics of image-making for more than three decades