Contributor
Zoë Hopkins

Zoë Hopkins is a writer and critic based in New York, USA. She received her BA in art history and African American studies at Harvard University, Cambridge, USA, and is currently working on her MA in modern and contemporary art at Columbia University, New York. Her writing has been published in Artforum, The Brooklyn Rail, Cultured and Hyperallergic.

Displayed in a labyrinth at Pace Gallery, New York, the artist's latest ‘Black Dada’ paintings fail to generate productive friction

BY Zoë Hopkins |

The artist’s exhibition at Greene Naftali, New York, recasts Icarus within a modern-day exploration of Black emancipation and freedom

BY Zoë Hopkins |

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

BY Zoë Hopkins |

From Tuan Andrew Nguyen’s first institutional solo show in the US at the New Museum to Elle Perez’s semi-abstract photographs at 47 Canal

BY Zoë Hopkins |

In ‘L’être, l’autre et l’entre’ at Palais de Tokyo, Paris, the artist weaves together human and cosmological in-betweens

BY Zoë Hopkins |

At Hauser & Wirth, New York, Mark Bradford shows new paintings alongside video work and sculpture that probes histories of race, land and migration

BY Zoë Hopkins |

At The Shed, New York, figurative paintings on pardo paper lead us to reconsider our own positions in relation to artworks and museum spaces

BY Zoë Hopkins |

A group exhibition at blank projects, Cape Town, brings together artists whose work experiments with the materiality of the earth

BY Zoë Hopkins |

In collaboration with Voloshyn Gallery in Kyiv, this exhibition at Fridman Gallery foregrounds the Ukrainian women at the discursive frontiers of history

BY Zoë Hopkins |